Monkey Baby

My stepdad’s backyard has one of those “island paradise” vibes. You know, there’s a hammock, some palm trees, and a trio of mariachi frogs made out of metal. We were all sitting by the pool—my mom, my stepdad, and me—admiring their newest article of homespun outdoor decor, a hand-lettered sign, about the size of a rainbow trout, that says: Put on your big girl pants and deal with it. Signs like these, I imagine, are what felonious fairies make instead of license plates when they go to the Enchanted Prison. “We saw this and thought of you,” my stepdad said about the sign, which is nailed to the poolside palm tree, “and when I heard you were coming by for dinner tonight, I made sure to install it somewhere you could see it.” It had cost $9.99. I could tell because he’d left the price tag on, probably on purpose, and I had to admit, it really set the mood.

“That’s a good one,” I said, and added, “whoever makes those signs is probably a millionaire or something.”

“You better believe it,” my stepdad said wiggling his ass and pointing to another sign on another tree: Dance like no one is watching.

My mom was like, “Shake it, Boom-boom!” That’s what she calls my stepdad because that’s the sound he makes when he walks into the room-room. Then, she turned to me with that look in her eye and said, “hey, there’s a thought, Cassie. You could go into the sign-making business.” This is what happens when you’re a 24-year-old unemployed, cartoonist  in my family. Everyone becomes very focused on making you into something you’re not. 

“You could make all sorts of crazy-ass signs,” said my mom, lighting another Marlboro Light, “let’s brain storm.” 

At this point, my stepdad excused himself to the cabana, where he was in the middle of grilling up some shish kabobs.

“You gals need anything while I’m up?” 

Boom-boom you see, is a doer, not a thinker. 

“I want a sign that says ‘I love Jesus, but I cuss just a little’,” said my mom, flicking the ash from her cigarette into an empty can of Coors Light. Her mouth puckered a bit, and sort of went off to the side of her face, like she was sucking on a big fat lemon. It has since been revealed to me that she was always having, like, minor strokes all the time, but for the moment I just figured she made faces like that because she was drunk.

I could think of a million zany little signs for the home. Signs that said things like ‘It’s all rather unfair, isn’t it?’ and ‘No one gets out alive.’ No one likes to think about these things, though. No one wants a sign reminding them that ‘Objective reality does not exist on a subatomic level.’ Might as well stick with cartoons, I figured, as I curled myself up into a little ball and started shivering.

“How about a sign that says ‘Life is all about balance’,” my mom said to me, swaying in an imaginary ocean breeze, feigning like she was oblivious to my anguish.

My stepdad reappeared, holding a margarita, and twirling his steel tongs like a gangster before holstering them down the front of his Tommy Bahama swim trunks. He chuckled. As if this was normal. As if this was any sort of sanitary way to handle a pair of cooking utensils.

“Think I’m gonna have me one of them fine see-gars,” he said as he walked over to the patio table, where his humidor was sitting. His humidor was a replica of the White House. You know, where the President of the United States of America lives. He lifted the lid by removing the roof, and, like a giant in a fairy tale, reached inside, and grabbed the president. Except he didn’t grab the president. He just grabbed a cigar, took a sip of his margarita, and splayed himself out like some sort of lazy merman on the wicker chaise near my mom and me. My mother, having finished her cigarette, reached for her steel drum because—I don’t know—she thought she could fill the ever-expanding hole in my soul with some funky beats.

“I’m so glad you came out to see us,” said she to me, “because it just so happens that Boom-boom here’s got some big news.”

“Dang straight!” said my stepdad, as he wiggled his ass again. “I done shelled out the cash to buy your mama here a monkey, and we’re gonna be a the happy parents of a little monkey-baby!”

Wow. I told them, coming out of the fetal position so as to demonstrate that even though I saw this as a blatant attempt to tell me they’d grown bored with my shenanigans and hair-brained stabs at personhood, that I knew how big of a deal this was for them. As much as it broke my heart to admit, I knew that a new era was about to begin, and this era would belong to the future monkey-baby. Wow. Wow. Wow. Ow. Ow. Ow. Wowee. Wowee. Wow.

My mother had not, until this point, expressed that she aspired to as much, but when I looked at her and said, “it’s as if he’s making your dreams come true a little more each day,” she agreed with me. Like I wasn't being sarcastic. Like it wasn’t some bullshit I was saying to make my stepdad feel good about himself and to remind him that he was the one true patriarch around here. Instead, she was beaming, with that this-is-what-I’ve-always-wanted look in her eyes. She adjusted her bikini top, which was made up of two halves of a coconut shell and a strip of leather. And. Oh. My. God. She was totally going to town on that steel drum. She really had this whole Caribbean Queen thing down.

“That’s right!” said my stepdad. He hopped up and wiggled his ass with an intensity I’d never seen before. I mean, he was really working it here. Shaking his hips. Sucking his lips. Eyes closed. “We’re gonna have a monkey-baby!” He licked his two index fingers, touched them to his nipples, and made a sizzling sound. “That reminds me. Time for shish kabobs!” he said, and we watched as he pranced his way back toward the cabana.

I turned to my mom, who was still thumping away on the drum, and said, “I want to be a cartoonist.”

 And boom. The drumbeat stopped. This is not the first time we’d had this conversation, but I figured, what with the news about the monkey-baby and all, it might well be the last. She reached for a Marlboro Light. 

“Like, full-time,” I continued, “I don’t want to do anything else. It’s what I think I am best at, and I feel like I should be able, in theory, to make a living at, you know, plying my trade.”

“What about making sweet little signs for people who want to sing and love while smiling? What about, you know, making some money?”

“I mean, it makes sense, right,” I said, pretending not to hear her, “for people to contribute to the world by doing what they’re best at? Isn’t that, like, the way things should be? Shouldn’t everyone just sort of give their all the best way they know how?” I felt my face get red. I could feel a rant coming on.

“Yes, but, Cassie, honey…”

I thought again about the monkey-baby, and then I lost my mind.

“Just. Shut. The. Fuck. Up,” I said to my mom, who seemed, of course, honestly confused by my anger.

 I just wanted to fucking draw cartoons is what I told her. I would work from sunrise to sunset, I said. Until my fingers bled, I said. That maybe, just maybe, I could make the world a nicer place to live. I told her I was good at it, and that I could become even better at it. I told her that all I had ever needed was time. That all I had ever needed was a place to live where I felt safe. I told her that it sucked that I couldn’t get back everything I could put in. That I wished she could just believe in me and that I was sorry she had to worry about me. I told her I was real fucking worried too. Worried that if my skill-set wasn’t valuable, then maybe I wasn’t valuable, like, as a person. And that I didn’t think I could live with myself if I, you know, sold my soul to the devil, and—

“What about the pilates certification your stepfather and I spent all that money for you to get?”

I gave up. That was Custer’s Last Stand.

I curled back into the tightest ball I could and screamed under my breath like an egg with a car alarm until my stepdad eventually came back with a platter of shish kabobs. I sat up and pretended I had just been taking a nap.

“Who killed the beat?” he asked.

I thought it was a rhetorical question, but my mom resumed playing the drum again, as if nothing had ever happened. My stepdad, setting dinner down next to the White House, told me he had an important favor to ask of me, and then asked it.

“I know you’re gonna be real busy teaching pilates, helping people with their body exploration goals, and whatnot,” he said, “and I know you’re gonna be able to pay your mama and I back the money we let you borrow—“

“I didn’t know it was a loan,” I interrupted, because that was the truth, and people should always let their lives be interrupted by the truth. 

“Of course it’s a loan. You’re never gonna feel good about yourself unless you can stand up and say to the whole wide world that you did it all on your own.”

I looked at my mother and her long, healthy hair, just nailing it on the steel drum, and said, “oh.”

“Anyhow,” said my stepdad, “I know how anxious you are to put all that high-quality training to good use, but I just need you to do this one thing that’ll mean the world to me and your mama.”

He explained that he needed someone to be in Africa within the next week to pick up the imminent monkey-baby, and that he couldn’t be the one to do it for some reason or another, and that my mom couldn’t do it because it required a bit of traveling in some jungle region, which wouldn’t be suitable for her because—you know—she has nerve issues. Basically, he told me, I needed to get my shit together, and finally get a goddamned passport, because he urgently needed me to go over to Africa and get the monkey-baby. And that, yes, he would buy the ticket, and that no, it wasn’t a loan.

“What do you say?” he asked.

Wow. Wowee. Wow. Wow. Thinking this could be an opportunity to cause them to feel ingratiated toward me for a change, I told him I’d leave the next day. My mom kept right on with the drumming, like she wasn’t sort of glad to see me go.

“Sounds like a plan!” said my stepdad, as he reached down the front of his swim trunks, pulled out a tambourine, and began to dance.

Two weeks later, I was on a plane headed for Africa. This was really the best I could do. I hadn't  understood that, outside of family emergency, it’s pretty hard to get a passport in just 24 hours. Not that I didn’t try. I told those bozos down at the passport store that this was a family emergency if there ever was one. That I was bringing my mom back a monkey-baby, and that doing so was really the least I could do for her. That I was a fucked-up piece-of-shit loser that did nothing but disappoint her. That I made her sad, but that this monkey-baby would help make her happy, and that I just wanted to be a part of that. But those assholes didn’t see things my way, and charged a bunch of extra money, and sent me a passport ten days later.

But I did get there, though. You know, to Africa. And I found the monkey-baby my stepdad told me about. In the jungle. In a tree. I saw her before she saw me. She was touching her genitals—because that’s what monkeys do, and not because she was some kind of pervert or anything. I wish my mom could have seen her and the way the light shone down on her through the canopy. If that monkey had wings, she’s have been an angel. Of course I didn’t take her home with me, and I like to think most other decent people would have done the same if they’d seen her sitting up there in her natural habitat pleasuring herself. 

When I rang the doorbell at the house where my mom and my stepdad live, I was empty-handed, wearing nothing but a diaper, a little red vest made of felt, and a fez. I had spent some of the return flight home studying monkey behaviors in a book I’d bought at the airport, and was posturing accordingly. I must have been convincing enough, because when my mom answered the door, she totally believed I was her new monkey-baby. You should have seen her face. 

“Are you my little monkey-baby?” she asked.

“ooooooooh oooooh aaaah aaaaaah,” I said, and did a little dance. 

“Boom-boom! Come quick, and bring the steel drum! Our monkey-baby has arrived, and boy, can she cut a rug!”

“Oh, what a fine day this is!” I heard my stepdad yell from the backyard. 

I scurried past my mother on my all four limbs—I mean, I was really doing it up. I made my way to the kitchen, and returned with a pad of paper and a felt-tip pen. My mother watched me, not as her daughter, but as her new and precious monkey-baby, draw her a picture of a banana. Almost as an afterthought, I anthropomorphized it by adding a smiley face. I admit, it wasn’t my best work, but it had a lot of energy. When I handed her the drawing, she just about had a heart attack right then and there.

“Oh. My. God,” she said, “you are a creative genius!”

I followed her to the backyard, where my stepdad was toweling off, having been in the pool. He was fully naked, and I have since learned that he pretty much exists in a state of nudity so long as he thinks my mom is the only human around. I don’t count, you know, because he’s under the impression I’m his monkey-baby.

“Our little monkey-baby is gonna be a star!” said my mom, lighting a Marlboro Light, then showing my stepdad my rendering of a banana. “She’s a bona fide cartooner!”

“Well, holy shit!,” my stepdad said, as he began to dance in his special way.

“You really do make my dreams come true, Boom-Boom. The era of the monkey-baby has begun!”

And that’s how my life is now. People clap and cheer for me when I use the toilet. No one used to do that back when I was just somebody’s daughter. As monkey-baby, I have a well-established sense of wellbeing. I draw all day long, just trying to make the world a little bit better in the best way I know how. The newspapers have all published articles about how talented I am. They write about how proud my mom and step dad are. About how, in a world where a little monkey-baby can find her voice through artistic expression, anything must be possible. About how people can look at my drawings and be inspired, and about how we should all follow our hearts and fulfill our dreams. And that clearly, it’s just about getting in there and getting the job done, because good things come to those who work hard and put their mind to it. Just look at this little monkey-baby making it happen. Just look at the smile on her mother’s face she plays away on an old steel drum and the sun beats down on the backyard paradise.

The Elusive Melody

Zen is a bird perched on a branch, I was going to say, but then I changed my mind. I start to think that maybe it’s a mischievous, yet friendly gremlin having a wink at me from a drain pipe, but that doesn’t seem right either. I’m looking for some cohesive ideas. Maybe it’s a twinkling star, or a crouching tigress, or a song you write in your sleep, but can’t recreate upon waking. Nothing’s sure around here, that’s for sure. What am I trying to say? I guess I’m trying to say that each passing moment makes less sense than the last. My perception is a lopsided, careening kaleidoscope of hay particles, and the dust of lead paint, sparkling like so many galaxies. No matter, though, because I can get into this, whatever this is. I’ll try to be Zen about it. After all, that’s what neurotic agoraphobes with ADHD do. Didn't you know? We try to figure Zen out.

At best, I’m a philosophical tourist. Only a few of us are truly native to Crazy Island. The rest travel here by sailboat or airplane, myself included. Yeah, just like that perching bird, that sewer gremlin, that crouching tigress, that star in the night, that elusive melody—we are all children of God. But what is God? Maybe God is Zen. Sigh. I’m going to have to meditate an extra ten minutes tonight just to get out of the hole I just dug in my head.

One of these days, I’m going to save up enough money to go on one of those fancy spiritual retreats. You know, one of those weekend getaways just for women? We’ll have morning yoga and pray to Lilith. Then, the gals and I will gnosh on apples with peanut butter, or even a Luna bar for breakfast, followed by Group Consciousness. Then it’s on to lunch in the meadow. Next, we’re off to the river for some skinny-dipping. We will all feel so free in that moment, unburdened of our hanging breasts, our too-tight jeans, and all our judgement. Yeah, baby, we’ll let that cosmic current flow between our legs. We’ll succumb to the moment. We’ll live in “the now” until we can’t take it anymore, until we scream in unison, and shudder.

That would be awesome. Radical. Dope. The cat’s meow. If I didn’t know any better, I’d venture to say that it would be grand beyond my wildest dreams, but I’ve most definitely had dreams that were wilder. Sometimes this world seems so strange and irreverent that I wonder if I’m not dreaming. Sometimes the only indication that I’m awake is that I’m so tired. I’m always so tired. Really, the only time that I’m not so tired is when I’m sleeping.

Last night I dreamt of a house with a secret room, and that room had a back door that opened up to the ocean. I took what I had, built a sailboat, and made for the island. I had never sailed before. If I could have anything in the world, I would have that dream again tonight, and the next night, and the next. Maybe that’s it. Maybe Zen is having every night be your first day on a sailboat, and then waking up with the memory of the songs you sang at sea.

The View From the Kitchen Sink

“The phantom I had conjured up swiftly disappeared, but no spirit could have more amazed the man, so real did it seem.”—Silas Wier Mitchell, 1872

The phantom limb phenomenon is the delusional belief in the presence of an appendage that no longer exists. After a stroke, some patients experience the feeling of an extra limb, in addition to the regular set of two arms and legs. This perceptual distortion is called supernumerary phantom limb*.

 From a neurological standpoint, it is easier to understand the limitations ensued by damage to the brain than it is to explain how brain damage can create a positive symptom, such as false perception. However, from a certain philosophical standpoint, there is no such thing; all perception is false perception. The truth resides beyond space and time, and all we can tangibly get are imitations of transcendental ideas, transitory effigies of eternal structures used to make sense of the things we cannot see, but we know exist.

There’s a story about the origin of love that says human beings were once rounded, symmetrical wholes. From each body protruded two sets of arms, two sets of legs, and a cylindrical neck, topped by one head, with two faces, one peering out from either side. They were united, until they scaled the heavens and challenged the gods.  Zeus hurled his lightening bolts down to punish them for such treason, and these prelapsarian people were split into the tragic, two-legged creatures that Matt and I are today. We’re reeling from the pain of being divided, and trying to get back to what we used to be.

Erich Maria Remarque describes the atrocities of trench warfare in his novel, All Quiet on the Western Front. Standing at the bedside of his severely injured friend, Franz Kemmerich, Albert Kropp asks, “How goes it, Franz?”

“Not so bad,” Franz replies, “but I have such a damn pain in my foot.” The leg had been amputated. I’m not in the trenches, but at the kitchen sink, and this is not a house, but a cave, where the walls are cast with shadows of the love we always wanted. But what is love? Some say it’s the desire to possess beauty, others say it’s the possession of beauty, but I think it’s found somewhere in between, sandwiched between here and the stars.

My marriage ended with a blow to the head—my head. Matt threw the punch. I called the cops. Matt went to jail. We got divorced. Two years later, he proposed a reunion, and I moved back into the house lined with rose bushes. Sometimes, I  find myself talking to the trinkets on the sill above the kitchen sink, a motley menagerie of plastic alligators, ceramic donkeys, and glass swans, trying to figure things out. I am the only speaker at this strange symposium. “We used to be one,” I tell them, “but now we are two.” We once thought we would die in this house, but it seems a part of us jumped the gun, and left here long ago. Now that it’s gone, we don’t know who we are anymore. We’re stuck here, for better or worse, haunted by the ghost of what might have been.

In another universe, there’s a version of me that keeps the house clean. She rests her wedding band on a pedastal, a bronze ring holder shaped like a hedgehog, while she tends the dishes. The job is finished when the last saucepan is wiped dry and hung from an ornate pot rack Matt installed just weeks after the wedding. This version of me arranges the trinkets on the window sill above the kitchen sink, alone in the Pine-Sol scented air, as Matt reads our son a bedtime story in another room across the house.

There’s a red Samsonite suitcase sitting in a closet in a parallel dimension. It stays there, save for two weeks per year, when a diverging, happy copy of Matt and Cassidy take it out, and travel the world together. There are pictures of us against backdrops of the Egyptian pyramids and the Eiffel Tower. In this alternate reality, I took Matt back to where I grew up in northern California. There, I showed him the Redwood National Forest and helped him build a fire on the beach. I wrote his name in the sand, then went home, unpacked, and put our suitcases away. 

But not this version of Matt and Cassidy; we don’t go on vacation. The only place for us is the house lined with rose bushes. If I leave, I can leave it all here. I can take the red Samsonite suitcase out of the hall closet, never return, and create an effigy to our love in my wake. If I can’t make it work, then I’ll at least make a tombstone. 

These days, the air is so thick with smoke, you can almost chew it. I smoke. Matt smokes. We didn’t always smoke in the house, but at some point, Matt stopped caring, and lit up. I stopped caring, and dimmed the lights to hide the dirt. We don’t have children, and the only dishes we have are dishes yet to be broken. The pot rack sits atop the water heater in the corner; Matt says he’ll get to hanging it eventually. My little bronze hedgehog is now an ashtray, the wedding bands long since hocked for cash, and here I am, reaching for another smoke, always under the watchful eye of the motley menagerie.

Do-overs are like unicorns; they don’t exist. The best I can do sometimes is stare as hard as I can at a horse’s head, until I think I see a horn. I think that if I love Matt enough, I can raise the dead, but maybe love isn’t about resurrection at all, but about creating something out of nothing. Zeus didn’t make way for love by causing pain. Maybe he just created lunatics, fractured by divine will. We were knocking on heaven’s door before we were divided, and we’re still knocking.

I hope that there is such a thing as a parallel universe, where Matt and I are together, snuggling, playing, loving, and having kids—but not this version of Matt and me, not in this lifetime, and not in this universe. But if not us, who will live in the house lined with rose bushes? Our memory. That’s who. So, upon my death and the rifling through of my possessions, there will be no sappy poetry, no journals of hopeful numerology, and no cheap photography—just a small box, and inside a motley menagerie of plastic alligators, ceramic donkeys, glass swans, and one empty bronze ring holder, shaped like a hedgehog. I’ll be long gone, beyond the planets and the stars, where there are no more shadows.

*Weeks, Sharon R., and Jack W. Tsao. “Incorporation Of Another Person’s Limb Into Body Image Relieves Phantom Limb Pain: A Case Study.” Neurocase (Psychology Press) 16.6 (2010): 461-465. Academic Search Complete. Web. 8 Dec. 2012.